Skip to main content

Posts

Fluid Identities

  The audience goes into raptures as Amir Khusro’s Chaap Tilak Sab Cheen Li fills the air. The qawwal Fareed Ayaz sings with great tenderness:   “My fair, delicate wrists with green bangles on them, You have held my wrists tightly with just a glance.” The audience, and the all-male qawwals find nothing strange about a man singing personified as a woman. The Sufi path to pure love and devotion to God is often symbolised as a woman yearning for the Beloved.   The feminine voice represents the journey from worldly or majazi love to Divine or haqiqi love expressed as yearning and surrender to God. Gender fluidity is a recurring theme in Pakistani cultural traditions. Few notice that the scriptwriters and song writers of early blockbuster Pakistani cinema were men, who seemed to understand the emotions, and desires of women.   A ghazal written by a male poet sounds equally natural if sung by a man or a woman. The power of the poem lies in its emotional authenticity ...
Recent posts

Staying Alive

  The now famous song by the Bee Gees, Staying Alive, ushered in the disco era. It was actually written in response to the desperation in the wake of the brutal economic and social breakdown of New York in the 70s.  “Feel the city breakin’ and everybody shakin’ and we are staying alive, staying alive!” the song was a social statement, a plea - ”somebody help me !”. Composed for the iconic film Saturday Night Fever, itself carrying a dark message of survival, it inspired young men across the world to strut down the street in white suits. The message of the film – giving up was not an option. Medical first responders are trained to use the song to get the rhythm of CPR  to the 103 beats per minute, literally ensuring people stay alive.   The Karachi of today shares with the New York of the 70s a city unravelling. That mix of glamour and urban decay, a primarily working class city facing economic desperation, crime and drugs. To Karachi one can add ripped up roads, a ra...

Knowledge and Knowing

  Knowledge and Knowing   "To attain knowledge, add things every day. To attain wisdom, remove things every day." — Lao Tzu. Knowledge is information acquired from external sources. Knowing, on the other hand, emerges from within and determines how facts are comprehended. Knowledge has no value without knowing while knowing can exist without knowledge. A child knows how to recognise parents, communicate and play without any formal instructions. Village wisdom knows the right time to sow plants, or cure with herbs, without knowledge of botany or biology, relying on collective memory and connection to nature.   Most of us know how to change a light bulb or operate a computer without knowledge of how electricity if produced or how binary technology works. In Europe knowledge gained priority over knowing around the scientific revolution of the 17 th C establishing rational knowledge as superior to subjective experience. Other civilisations such as those of India or...

The Indelible Past

  In 1953, the artist Willem de Kooning agreed to give his fellow artist, Robert Rauschenberg, a drawing to erase. Rauschenberg worked on the drawing for over a month using a variety of erasers. Despite all efforts, traces of the original drawing remained. In 2010, digital imaging revealed much of the original drawing. This act of erasure symbolises attempts to erase histories, whether individual or collective. Neuroscientist, Charan Ranganath, finds that within 20 minutes people forget 40% of what they learn and after a few days only 20% is remembered.   Since the past is over, why should we remember? It helps in making sense of the present and making better choices for the future.   Daniel Kahneman, author of Thinking Fast and Slow, says memories are all we get to keep from our experience of living. In reality memory is selective and may be far from accurate. Some memories are preserved in diaries and letters, or in autobiographies, but even the most meticulous ...

Defined by Style

  Style is a refinement in behaviour and the cultivation of poise. Style is expressed in the way a person walks or converses, by the cadence of language, by the spaces we choose to live in. Style shows confidence, presence, personal power, often communicated without the need for words.  Unlike brute force, style cannot be fought with or overcome. It is a quiet challenge that does not seek a reaction. While it can be mocked, it cannot be destroyed. It is the result of a cultivated intentionality that becomes part of a personality. Style is like the softest notes of a piano or violin that the listener knows can build up to a powerful intensity that will make hearts tremble. Ayatollah Ali Khamenei, killed in February this year, and the  Minister of Foreign Affairs of Iran, Abbas Araghchi, through all the warmongering rhetoric, impressed the world with their soft spoken manner with the slight smile of the wise dealing with the foolish. No angry fist shaking. Instead we witn...

Keeping the Candle Lit

  In Ireland a candle placed in the window signaled to travelling priests that the home was a safe haven for Catholics, persecuted in Britain from 1534 to the 1800s.The phrase became a symbol for hope, an incentive to keep going. As people search alternate news sources to make sense of the seismic changes that threaten to affect everyday lives, some sharing guidelines to survive a nuclear attack, others identifying DIY methods to generate electricity, they feel like sitting ducks in the crossfire of petulant, warring oligarchs. "Karayn tau kiya karaen" ( if we act what could we do?) is on everyone’s minds. Massive street protests, parliamentary debates, impassioned Security Council speeches, International Court of Justice rulings – all seem to fall on deaf ears.     And then we see images of Palestinian youths smiling as they are taken to the gallows, after Israeli parliament voted last month for the death penalty for Palestinian prisoners. Those smiles carry the ...

Unravelling the Fairy Tale

  Rumpelstiltskin, a fairy tale by the Brothers Grimm, tells the story of a poor miller’s daughter who was locked up each night to turn straw into gold until the King found her worthy of becoming his bride. The only way she achieved this was with the help of a dubious character, Rumpelstiltskin, but this help came at a price: first for her necklace, then her ring and then the promise of her first born child. It is tempting to see the King as the exploitative nations, the miller and his daughter as the exploited and enslaved, and Rumpelstiltskin as the international agencies that offer loans forcing countries into the trap of eternal debt servicing.   The miller’s daughter escapes from her debt to Rumpelstiltskin by identifying his hidden name. The world, too, is finally exposing the well-guarded truths, the identities of hidden forces, that have enslaved nations largely by controlling the narrative.   The lofty edifices that filled the world with awe and wonder, pro...