The audience goes into raptures as Amir Khusro’s Chaap Tilak Sab Cheen Li fills the air. The qawwal Fareed Ayaz sings with great tenderness: “My fair, delicate wrists with green bangles on them, You have held my wrists tightly with just a glance.” The audience, and the all-male qawwals find nothing strange about a man singing personified as a woman. The Sufi path to pure love and devotion to God is often symbolised as a woman yearning for the Beloved. The feminine voice represents the journey from worldly or majazi love to Divine or haqiqi love expressed as yearning and surrender to God. Gender fluidity is a recurring theme in Pakistani cultural traditions. Few notice that the scriptwriters and song writers of early blockbuster Pakistani cinema were men, who seemed to understand the emotions, and desires of women. A ghazal written by a male poet sounds equally natural if sung by a man or a woman. The power of the poem lies in its emotional authenticity ...
The now famous song by the Bee Gees, Staying Alive, ushered in the disco era. It was actually written in response to the desperation in the wake of the brutal economic and social breakdown of New York in the 70s. “Feel the city breakin’ and everybody shakin’ and we are staying alive, staying alive!” the song was a social statement, a plea - ”somebody help me !”. Composed for the iconic film Saturday Night Fever, itself carrying a dark message of survival, it inspired young men across the world to strut down the street in white suits. The message of the film – giving up was not an option. Medical first responders are trained to use the song to get the rhythm of CPR to the 103 beats per minute, literally ensuring people stay alive. The Karachi of today shares with the New York of the 70s a city unravelling. That mix of glamour and urban decay, a primarily working class city facing economic desperation, crime and drugs. To Karachi one can add ripped up roads, a ra...