The now famous song by the Bee
Gees, Staying Alive, ushered in the disco era. It was actually written in
response to the desperation in the wake of the brutal economic and social
breakdown of New York in the 70s. “Feel
the city breakin’ and everybody shakin’ and we are staying alive, staying
alive!” the song was a social statement, a plea - ”somebody help me !”.
Composed for the iconic film Saturday Night Fever, itself carrying a dark
message of survival, it inspired young men across the world to strut down the
street in white suits. The message of the film – giving up was not an option. Medical
first responders are trained to use the song to get the rhythm of CPR to the 103 beats per minute, literally
ensuring people stay alive.
The Karachi of today shares with
the New York of the 70s a city unravelling. That mix of glamour and urban decay,
a primarily working class city facing economic desperation, crime and drugs. To
Karachi one can add ripped up roads, a rationed supply of electricity and gas,
and a dysfunctional city administration. Yet like New Yorkers, the people of Karachi
are resilient and find ways to rise above the despair.
The most common weapon of combat
is dark humour – comparing the city to the ancient ruins of Moenjodaro, memes
of street crime. Lyari, the oldest, yet most deprived locality of the city
epitomizes the spirit of Karachi. As FIFA approaches, the drab streets are
filled with Brazillian and Argentinian team colours and murals. For a while the
boxing clubs and donkey cart races take a back seat. Young teenagers compose
rap music, mixed with lewa and dhammal dances by the older generation.
While New York recovered with
State and Federal help, Karachi stays alive with a parallel citizen-led governance,
creating dignity when formal systems fail. They pave their own roads, arrange
their own security, install generators and solar panels. Philanthropists build
free hospitals and schools, provide ambulances, distribute food twice a day for
the needy, and form committees of the concerned who hold press conferences to shake
the government out of its stupor. In the meanwhile, restaurants and street food
flourish, small workshops hammer out products, embroider delicate fabrics as
the electricity supply allows, and families flock to the sea front for
respite. It still attracts economic
migrants from across the country.
Yet, there is a grim reality that
looms behind the refusal to let the powerful define their existence. The drums
of war are only a heartbeat away. With rising global uncertainty, governments
and armies spring into action to save the state. In the larger scheme of
things, death is a statistic whether of civilians or soldiers.
For individuals, life is
relationships, personal ambitions for an imagined future, a home, a city or
village of shared memories. As peace is invaded, we wonder how does one stay
alive? Not just physically but mentally and emotionally? A series of instagram
posts show cameos of everyday life - a pregnant woman, an artist painting a new
canvas, a family dinner - against a generic backdrop of the flames of war. The
river flows onwards regardless of forest fires.
Poets such as Habib Jalib, Faiz
Ahmed Faiz, Kishwer Nahid, N.M. Rashid, Shakir Shuja Abadi, speak for those who
cannot speak for themselves. Freedom is a state of mind, a way of protecting
one’s inner narrative.
Once folk music of Pakistan aired
on radio and television in the 60s and
70s , the voices of Zarsanga, Faiz Muhammad Baloch, Reshma, Mai Bhagi, Pathanay
Khan, Saeen Marna, reached every household carrying the pain, the joy and the
the longing of Pakistanis beset by poverty and powerlessness, yet choosing life,
if only for small moments of happiness. It set the tone for music for
subsequent generations of pop groups, ghazal singers and qawwals. Sajjad Ali
sings mein doob raha hoon, abhi dooba tau
nahin hoon. (I am drowning but I haven’t drowned yet)
Survival is a basic human
instinct to avoid death or meet physical needs. Staying alive has a much wider
ambition – to lead life with meaning, passion and purpose. It is also the art of
staying human under pressure.
Durriya Kazi
June 13, 2026
Karachi
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