Skip to main content

 

Negotiating Double Lives

Most people divide their time into public and private lives, the one often fiercely guarded from the other. The public self is how people act in the presence of others. The private self is how a person sees himself or herself. Public lives are open to observation by society at large, whereas information about private lives is controlled by the person, who can choose what to share and what to consider an invasion of privacy.

People who are in public office are legally obligated to act in the interests of the people they represent, while a person enhancing their own interests are said to be acting privately. Scandals erupt when those holding public office use privileges for private gain.

Totalitarian governments achieve public control by reducing the private space.  Today electronic surveillance, and the use of algorithms by marketing to gather information about the habits of people are so extensive that many have given up control over their privacy. Ironically, the current restrictions imposed on social media in Pakistan, may control internet freedom, but also deprives the government of data collection of users. Many monetise their own private lives by sharing podcasts, or by reporters who follow the lives of famous or infamous personalities.

Private lives can also be propelled into the public sphere with newsworthy events, such as heroic rescues by ordinary citizens, the discovery of a secret serial killer, or the revealing of very personal details during divorce or custody court cases.

People may choose to reveal their private lives by writing autobiographies or painting self-portraits. Art by its nature of tapping into personal emotion and communicating it through creative expression makes a natural bridge between the private self and the public sphere. 

While today many creative professionals have formally trained in art, theatre or music schools, or, as in the past, by apprenticing to a master, there have been many artists who kept their creative work a secret.

Marcel Duchamp had been secretly working on an artwork Étant Donnés for 20 years, while the public believed he had given up art and focused on chess. The artist’s legacy was to make the work public after his death.

Ron Gittin painted and sculpted every surface, wall and ceiling of his flat in England for over 33 years, discovered only after his death at 80 years of age.

US prisoner, Jesse Krimes, secretly created epic works of art using materials available to him in prison, smuggling the pieces out one-by-one through the prison mail room. Apokaluptein:16389067 is a mural made up of 39 prison bedsheets constructed over three years. It was his way of disconnecting from imprisonment.

James Hampton worked as a janitor and over 14 years, secretly built a large assemblage of religious art from scavenged materials in a rented garage. Retired Australian country maths teacher, Robert Martiensen, created 7000 artworks in secret over 20 years.

Craft is generally a private activity, taking place within the home and in the context of other domestic chores and responsibilities. The postal project “Feministo” began a movement for women to exchange artworks through the post across UK.

Art curators are increasingly taking an interest in what they call Secret Artists. These may be ordinary people or discoveries of art works by public figures such as Winston Churchill, Adolf Hitler, and General Franciso Franco.

Art produced secretly creates a space to make bad paintings without fear of judgement, to leave projects half-finished without a sense of failure. Society is filled with people with beautiful voices, poets, people with calligraphic handwriting, an eye for decorating their homes, making exquisite embroidery - people who let art enrich their lives.

Sometimes the private passion replaces the public identity.  Novelists Franz Kafka and Charles Dickens both worked as legal clerks. The poet T S Eliot was a banker. Writer Qudratullah Shahab, poets Mustafa Zaidi and Perveen Shakir, and artist Hanif Ramay were civil servants. Poet William Carlos Williams worked as a paediatrician. Novelist Kurt Vonnegut managed a Saab dealership. Composer Philip Glass drove a cab and did odd jobs as a plumber or electrician. Writers Syed Zameer Jafri and Brigadier Siddique Salik are more likely to be discussed in literary circles than armed forces gatherings.

Leading double lives usually has a negative connotation, with snoopers looking to dismantle the reputation of people. However, leading a double life can be self-fulfilling, avoiding the trap of being defined solely by a day job. In the film ‘Shall we Dance’, Richard Gere‘s character, a lawyer, secretly joins ballroom dancing classes. When his wife discovers his passion, she says ‘Your life will not go un-witnessed because I will be your witness.’

 

Durriya Kazi

August 25, 2024

Karachi

 durriyakazi1918@gmail.com

Comments

Popular posts from this blog

https://theconversation.com/at-once-silent-and-eloquent-a-glimpse-of-pakistani-visual-poetry-70544 ‘At once silent and eloquent’: a glimpse of Pakistani visual poetry February 13, 2017 6.55pm AEDT Author Durriya Kazi Head of department Visual Studies, University of Karachi Disclosure statement Durriya Kazi does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond the academic appointment above. Partners View all partners Republish this article Republish our articles for free, online or in print, under Creative Commons licence. Rickshaw poetry in Pakistan.  D.Kazi ,  CC BY-NC-ND   Email   Twitter 33   Facebook 239   LinkedIn 1  Print Whose mischief created a world of beseechers? Each petitioner is seen wearing a garment of paper This line from the famous Mughul poet  Ghalib  refers to what he claimed to be ancient Per
    Hidden Influencers   Socializing the young to uphold collective values and behaviour was once the responsibility of a family or tribe . While some communities still preserve traditional customs, such as the Pashtunwali code of hospitality in Afghanistan and North Pakistan, today that mantle has been wrested by the machinery of public communication – newspapers, television, cinema and social media. Our personal memories and impressions are interrupted by external influencers who tell us what to think and how to behave. In a consumer driven society, with its dizzying messages, it is easier to be told what to think as we silence our individuality with social inertia.   While history is full of individuals such as Abdullah  ibn Saba ' and Peter the Hermit,   who managed single handedly to create revolts or lead nations to war, today s ophisticated specialist organizations have stepped in. They manipulate our desires and fears using algorithms and big data to persuade us w

Portrayal of Women in Pakistani Cinema

PORTRAYAL OF WOMEN IN PAKISTANI CINEMA Talk at Arts of the People IV “Lollywood- Pakistani film posters” Fukuoka Asian Art Museum 2006 By Durriya Kazi Many of you will not have seen Pakistani films. So I will first explain the style. Like Indian Films, they are all musicals. The songs are very a important part of the film and sometimes the most memorable part. A very ordinary story can be a box office hit if it has good songs, while a good story without good songs may be a flop. The songs are not sung by the actors but by a playback singer who is sometimes more famous than the stars, such as Madame Noor Jehan, who has sung for films for 50 years, like India`s Lata Mageshkar. Along with songs dance is also an important ingredient, but maybe not as important as in Indian films which have really fantastic dances. In fact I know someone who fast forwards the dialogue and just watches the dances of Indian films. If you see them you will know why! The films are