Skip to main content

 

How will we be remembered?

 

A few weeks ago, a phrase in an obituary in Dawn stood out - “Life Long Fighter for Rule of LAW”. There was something moving about the prominence given to this achievement amongst all the other posts held by the jurist Syed Sami Ahmed.  Recently there has been much talk in Pakistan of how people will be remembered – jurists, armed forces, police, legislators, politicians, protestors, journalists – as the country twists uncomfortably like a tied down animal struggling to break free.

Before autobiographies and history books came into existence, the achievements of people were written on their gravestones as epitaphs, often by the deceased themselves during their lifetime.   

The ancient Egyptians inscribed their achievements for the hereafter. The Greeks and Romans wished to be immortalized as heroes for future generations. Some epitaphs honoured entire armies: “Here four thousand from the Peloponnese once fought against three million”. 

The graves of poets, such as Ghalib, Jaun Alia, Ahmed Faraz have verses that encapsulate their philosophy. Parveen Shakir’s gravestone reads  ‘lafz meray meray honay ki gawahi deyn ge’ ( My words will be witness to my existence)

The Epitaph of John Keats reads "Here lies One Whose name was writ in Water." On the grave of his contemporary, Lord Byron, his sister sarcastically inscribed “Oh! may the earth on him lie lighter Than did his quartos upon us.”  Lord Dryden wrote on the grave of his wife “Here lies my wife, here let her lie. She is at peace and so am I”. Hilaire Belloc’s epitaph says “When I am dead, I hope it may be said: ‘His sins were scarlet, but his books were read.’"

In the field where singer John Lennon’s ashes are scattered, is hidden the word “Imagine” from his inspiring song. Actor Waheed Murad’s grave describes him as “Azeem superstar Chaklaity Hero” and cricketer Fazal Mehmood as “Oval hero”.

The newspaper obituary provides a more three-dimensional understanding of the deceased, often leaving the reader with regret at not knowing more while the person was alive. The Bayaad or gathering for remembrance may include speeches or performances such as that held recently for sitar Nawaz, Ustad Sharif Khan Poonchwala, by his son.

Alfred Nobel, shocked when his obituary, mistakenly written while he was still alive, called him a "merchant of death" for creating military explosives, created the Nobel Peace prize, which is how the world remembers him now.

The Mughals were generous with their appreciation awarding laqab or epithets to the living such as Zarrin Qalam, one whose writing shines like gold, to calligrapher Muhammad Husayn, or Nadir al-Asr (unique of the age) to Ustad Ahmed of Lahore, the builder of the Taj Mahal and the Red Fort of Shahjahanabad. The Mughal emperors awarded themselves epithets they wished to be remembered by – Jahangir (seizer of the world) and his wife, Nur Jahan (light of the world).

Epithets were common in Arabia. Hazrat Abu Bakr was al Siddiq ( the Truthful). Sometimes epithets are less flattering such as Charles the Bald or Louis The Stammerer, or to put fear into the hearts of others, Ivan the Terrible. Some were a rebuke as the epithet of General Dyer, the “Butcher of Amritsar”. A hero for one nation can be a villain for another. Alexander the Great was known as Iskander the Accursed in Persia.  

Plants are named after botanists, comets after astronomers, inventions after their inventor, immortalizing their name. Universities, schools, and museums are named after their benefactors.  Parent may teach their children to not bring discredit to the family name.   

A young blogger on Reddit wrote the 60s was known for ending the Vietnam war, but their generation “will be remembered as the ones who had all the information and still chose to do nothing”.

The current generation in Pakistan believe they will be known for standing up for their democratic rights. It remains to be seen what those at the helm of power will be remembered for.

 

Durriya Kazi

June 4, 2023

Karachi

durriyakazi1918@gmail.com

Comments

Popular posts from this blog

https://theconversation.com/at-once-silent-and-eloquent-a-glimpse-of-pakistani-visual-poetry-70544 ‘At once silent and eloquent’: a glimpse of Pakistani visual poetry February 13, 2017 6.55pm AEDT Author Durriya Kazi Head of department Visual Studies, University of Karachi Disclosure statement Durriya Kazi does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond the academic appointment above. Partners View all partners Republish this article Republish our articles for free, online or in print, under Creative Commons licence. Rickshaw poetry in Pakistan.  D.Kazi ,  CC BY-NC-ND   Email   Twitter 33   Facebook 239   LinkedIn 1  Print Whose mischief created a world of beseechers? Each petitioner is seen wearing a garment of paper This line from the famous Mughul poet  Ghalib  refers to what he claimed to be ancient Per
Art and the Swadeshi Movement In my quest to discover the origins of the exquisite tiles in my aunts’ home in Karachi’s old Amil Colony, I stumbled upon a whole new dimension of the Swadeshi, and later Swaraj, movement, an important rallying point for the Freedom Movement. Swaraj is commonly identified with Non-cooperation, Civil Disobedience, and political rallies. Behind the public bonfires of European cloth, manufacturers, designers, artists, poets and journalists quietly built factories, established presses, redesigned art school curricula that not only spread the spirit of revolution across India but ensured there were locally produced alternatives. Jamshed Nusserwanji established Bharat Tiles with Pheroze Sidhwa in 1922 in Bombay with a manufacturing branch in Karachi, as his swadeshi contribution, saying “India needs both economic and political independence”.     Developing a new process using coloured cements, the exquisite tiles we see in all heritage buildings i
  Fearless Gazelles of Islam Nusaybah bint Ka`b, seeing the Prophet ( PBUH) unprotected during the Battle of Uhud, ran to shield him with her sword alongside her husband and son. She received many wounds, and the Prophet himself (PBUH) said, wherever he turned, whether to the right or to the left, he saw her defending him. She was present at a number of battles, and at the age of 60 fought at Al-Yamamah, receiving 11 wounds, also losing her hand. When Khawla bint al-Azwar’s brother was taken captive by the Byzantines, she put on armour and charged into the Byzantine troops to rescue him. Taken captive at the Battle of Marj al Saffar, she fended off the Byzantines with a tentpole, killing seven. Muslim women were an important part of every battle rallying their men, or tending to the wounded, sometimes taking up arms or composing taunting poetry. Ghazala al-Haruriyya called out to the fleeing Umayyad General “You are a lion against me but were made into an ostrich which spreads it