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Showing posts from November, 2018
From Image to Icon Photographer Alberto   Korda   captured an image of Che Guevera at a funeral of workers in Havana in 1960. Rejected by the editors of the " RevoluciĆ³n",   it hung in his apartment unnoticed for seven years. A few months before Che’s execution, the Italian businessman turned socialist, Feltrinelli requested a picture of Che. Korda gave him his favourite picture.   Within days of Che’s death, Feltrinelli sold millions of Che posters. The following year in 1968, the Irishman, Jim Fitzpatrick, designed the now iconic black-on-red   Che poster. A very average looking man had been turned into a smouldering revolutionary legend, inspiring social activists across generations and nations from Bolivia to Baluchistan. Allen Ginsberg said ““Whoever controls the media, the images, controls the culture.” Marketing and advertising people are well aware of this and use it as the cornerstone of communication and campaign strategies.   However there are many image
The Lotus and The Rose Two invasions had a profound impact on India –the Aryans who gave India Sanskrit and the Vedic religion and the Muslims who established Indo-Islamic Culture.   While the political impact may have faded away, both cultures have seeped seamlessly into the daily lives of Indians, both altering and being altered in the process.   Muslim expansion only took with it the Quran and Arabic, adapting and developing the existing cultures they found. India was no exception. As Reginald Massey puts it, the Lotus had met with the Rose.   Koine, a Greek word that means common or shared , is often used to describe the cross fertilization of cultures in the Muslim world   - soldiers and traders from different lands, combining of languages and lifestyles. Urdu emerged from a mix of Turkish, Persian, Arabic and now English, with a   Sanskrit grammar base.   Muslim invaders brought Islam to India, but, along with Islam, they brought Chaghatai, Persian, and Turkic cu