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Streets

Streets are called arteries of a city, but arteries are hidden from the eye. Streets may be better understood as the rivers and canals of a city, ever-flowing, with its rapids, its meandering lanes, it’s teeming and varied life along its edges.

 There are streets, roads, avenues, lanes or in Urdu, shahrah, sarak, rasta, gali, each with its own personality.  Blogger Julia H suggests roads represent journeys to or from one place to another, while streets draw attention to what is happening in them. Streets are places of social interaction, neighbourhoods and commerce.  

Both streets and roads, have inspired books, poems, films and songs.  The road trip is a much repeated theme in American culture epitomised by the film Thelma and Louise. The road is personalized by songs such as  John Denver’s  Take me Home Country Road and Ray Charles’  Hit the Road Jack; or become a central motif, from Bob Hope and Bing Crosby’s  seven  Road to… comedy adventures film series, to the grim dystopia of  Mad Max Fury Road.  

Jack Kerouac’s Stream of Consciousness novel On the Road became iconic, as did Muhammad Asad’s Road Makkah. Robert Frost’s poem, the Road not Taken, depicts life’s dilemmas symbolized by crossroads.

While the road in western culture is full of possibilities for a new life, and streets create a sense of belonging, in Urdu literature, rasta is often a symbol of difficulty and pain.

Qaisar ul Jafri writes Rasta dekh ke chal varna ye din aise hain gunge patthar bhi sawal karenge tujhse

(Be careful as you walk down the street otherwise a day will come when even the mute stones will raise questions)

Mustafa Zaidi’s well know couplet, Inhin pattharon pe chal kar agar aa sako to aao Mire ghar ke raste mein koi kahkashan nahin hai. ( Come if you can walk on these rough stones. There are no stars to light the road to my house). 

Much poetry written on buses and trucks in Pakistan reflects  the loneliness and dangers of the road. Road se dosti safar se yaari, Dekh pyaray zindgi hamari (“I befriend the road, my companion is the journey. See the life I lead, my dear friend )

The Grand Truck Road or Sarak e Azam, expanded by Sher Shah Suri in the 16th C from Kabul to Teknaf on the border with Myanmar, had serais or inns for travelers, wells and gardens. Not even the motorways of today can boast so much care for travelers.

By contrast, the majority of streets in Pakistan are, as they say, full of zehmat (discomfort) rather than rehmat (comfort).  Open manholes, potholes, piles of rubble spilt over from construction sites, thela cart sellers and of course double and triple parked cars are more the norm. 

Yet these streets are so much more than laid tarmac.  They also hold the life of a city. Straight roads become winding streets with bazaars, shops, dhabas and Friday worshippers spilling onto the pavements and roads. Neighbourhood boys socialize at street corners. The homeless quietly seek a safe spot for the night, as office workers rush home to their flats or mansions. Young Afghan paper pickers keep their eyes on the ground in search of discarded pan wrappers and burger boxes.  It is on the street that the rich encounter the poor, even if only through the windows of air conditioned SUVs.

The crumbling heritage buildings, and street names are witness to a lost past. In Karachi’s Ranchore Line, Ali Budha Street is flanked by Solomon David Road and Shivdas Road.

The bustling streets transform as night falls and restaurants come to life and workplaces recede into silence.  The night streets and lanes or galis, especially in Ramzan, become playing fields for night cricket.  Or more ominously, as Raymond Chandler puts it, “The streets were dark with something more than night”. 

Streets were transformed into eerie emptiness during the curfews of the past or the 90s when dead bodies were dumped in the middle of the streets. To some, a city’s distress is an opportunity. John D. Rockefeller said “The way to make money is to buy when blood is running in the streets.”

Streets are often used as a metaphor for spiritual journeys. Sufi masters are called Murshid e rah, or Mashal e rah (teacher or light of the road) Those who lose their way become rah se berah.   

 

Durriya Kazi

Karachi

April 25, 2022

durriyakazi1918@gmail.com

 

 

 

 

 

 

 

 

 

 

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