Skip to main content

 

 

Hidden Influencers


 

Socializing the young to uphold collective values and behaviour was once the responsibility of a family or tribe . While some communities still preserve traditional customs, such as the Pashtunwali code of hospitality in Afghanistan and North Pakistan, today that mantle has been wrested by the machinery of public communication – newspapers, television, cinema and social media. Our personal memories and impressions are interrupted by external influencers who tell us what to think and how to behave. In a consumer driven society, with its dizzying messages, it is easier to be told what to think as we silence our individuality with social inertia.

 

While history is full of individuals such as Abdullah ibn Saba' and Peter the Hermit,  who managed single handedly to create revolts or lead nations to war, today sophisticated specialist organizations have stepped in. They manipulate our desires and fears using algorithms and big data to persuade us what to buy, how to vote, who to go to war with, who to condemn, and who to emulate. “Cyber troops” are engaged by governments, political parties and big businesses for propaganda, manipulation or disinformation.

 

Neuromarketing identifies three parts of the brain - the new brain, the middle brain, and the old brain. The old brain which controls decisions, is also the most primitive. Marketing thus appeals to our most basic needs and desires with simple attention getting strategies. Equally, the choice of street names, monuments, stamps, sporting events, cultural events, awards and prizes, cartoons, direct what we give significance to.

 

While persuading people to buy certain products may be relatively innocent, manipulating the public  to make value judgements about nations, race and gender, can have serious consequences. In a study by   Manzaria & Bruck, the different approaches to nuclear Pakistan and France are revealed. While Pakistan is said to have created the “Islamic Bomb” and is seen as a “Barbarian State”  and a threat to world peace, France’s nuclear test in the Sahara was seen as a successful example  of nuclear diplomacy.

In ancient Greece and through most of the 19 century, Rhetoric was the elegant art of persuasion with its canon of invention, arrangement, style, memory, and delivery, with which to engage in honest, rational debate with an opponent. Today oratory is relegated to a soap box in Hyde Park or confined to courts of law. Religious intolerance, the deep state, and global economic forces have made open debate a dangerous activity.

In our personal lives we are equally controlled by influencers. From childhood we are taught to obey the dictum of parents, who prepare us to smoothly transition into society.  Fairy tales, cartoons, pre-arranged educational systems, proverbs, and role models, ensure we share a collective identity. Vance Packard’s 1957 book The Hidden Persuaders, elaborates the ways in which our thoughts are managed.

Cinema has been a great influence on how we should respond to love, friendship, anger, crime, conflict and in recent years, disaster – manmade, natural or extraterrestrial. Music videos, fashion magazines, Facebook identities and video game avatars become absorbed into our daily lives.

The artist, Jenny Holzer, uses truisms in her work. Phrases that are used everyday, whose meaning is rarely considered, such as “remember, you always have freedom of choice”.  We have our own in Pakistan – Heaven lies beneath a mother’s feet; Cleanliness is half of faith; One day as a lion is better than a hundred days as a jackal.    

With the current lockdown, we may be at a turning point in our history. Many are questioning the lifestyle we had grown accustomed to. Within the quiet of our homes, perhaps we can finally hear our inner voice.

 

Durriya Kazi

May 17, 2020

 durriyakazi1918@gmail.com   

 

Comments

Popular posts from this blog

https://theconversation.com/at-once-silent-and-eloquent-a-glimpse-of-pakistani-visual-poetry-70544 ‘At once silent and eloquent’: a glimpse of Pakistani visual poetry February 13, 2017 6.55pm AEDT Author Durriya Kazi Head of department Visual Studies, University of Karachi Disclosure statement Durriya Kazi does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond the academic appointment above. Partners View all partners Republish this article Republish our articles for free, online or in print, under Creative Commons licence. Rickshaw poetry in Pakistan.  D.Kazi ,  CC BY-NC-ND   Email   Twitter 33   Facebook 239   LinkedIn 1  Print Whose mischief created a world of beseechers? Each petitioner is seen wearing a garment of paper This line from the famous Mughul poet  Ghalib  refers to what he claimed to be ancient Per
Art and the Swadeshi Movement In my quest to discover the origins of the exquisite tiles in my aunts’ home in Karachi’s old Amil Colony, I stumbled upon a whole new dimension of the Swadeshi, and later Swaraj, movement, an important rallying point for the Freedom Movement. Swaraj is commonly identified with Non-cooperation, Civil Disobedience, and political rallies. Behind the public bonfires of European cloth, manufacturers, designers, artists, poets and journalists quietly built factories, established presses, redesigned art school curricula that not only spread the spirit of revolution across India but ensured there were locally produced alternatives. Jamshed Nusserwanji established Bharat Tiles with Pheroze Sidhwa in 1922 in Bombay with a manufacturing branch in Karachi, as his swadeshi contribution, saying “India needs both economic and political independence”.     Developing a new process using coloured cements, the exquisite tiles we see in all heritage buildings i
  Fearless Gazelles of Islam Nusaybah bint Ka`b, seeing the Prophet ( PBUH) unprotected during the Battle of Uhud, ran to shield him with her sword alongside her husband and son. She received many wounds, and the Prophet himself (PBUH) said, wherever he turned, whether to the right or to the left, he saw her defending him. She was present at a number of battles, and at the age of 60 fought at Al-Yamamah, receiving 11 wounds, also losing her hand. When Khawla bint al-Azwar’s brother was taken captive by the Byzantines, she put on armour and charged into the Byzantine troops to rescue him. Taken captive at the Battle of Marj al Saffar, she fended off the Byzantines with a tentpole, killing seven. Muslim women were an important part of every battle rallying their men, or tending to the wounded, sometimes taking up arms or composing taunting poetry. Ghazala al-Haruriyya called out to the fleeing Umayyad General “You are a lion against me but were made into an ostrich which spreads it