Skip to main content

Curbing Cultural Exchange 

There are 195 countries in the world today. There was a time when the word “country” meant the countryside, the area surrounding a walled city. Civilization and Empire are words used to describe those political and cultural identities whose expanses of power or authority had ever changing boundaries.  Today’s “Country” is a political term used to describe a territory with well-defined and heavily protected borders.

Countries or nation states, emerged with the growth of capitalist economies, the Age of Discovery when the competition between monarchs for discovering new lands and trade rights, led to the formal demarcation of kingdoms and realms. As Ali Khan writes in his paper “Extinction of Nation States”, the King of the French became King of France.  

In the 16 C the Dutch jurist, Hugo Grotius, developed the idea of territorial sovereignty which became the framework for the modern nation state.  Eurocentric colonialism and global economic systems imposed this model across the world. 

Gradually each country established a uniform culture as a matter of State policy. State languages were imposed, centralized laws governed every aspect of people’s lives, national flags and anthems were created and national armies fiercely guard the borders.

The great casualty of this defining of borders has been the free dissemination and exchange of knowledge and cultures. Just looking at two sources that have benefitted the world that are inconceivable in today’s political climate, the Silk Route and the Islamic Empire, we realize how much we have lost.

From the 2 BC to the 15th century when sea trade  became organized, the Silk route  connected China, the Mediterranean and Africa and everything in between.  Along this route traders, travelers, missionaries and adventurers, exchanged goods, shared discoveries, cultures, languages, and philosophies. Apart from silk which was a guarded secret until a 6C Christian monk smuggled caterpillar eggs into Byzantine , there was a free transfer of knowledge.  From China came silk, porcelain, the art of casting iron, gunpowder, alchemy, papermaking, printing with moveable type,  Chinese medicine and acupuncture, clock-making, the compass, and of course tea.  China itself acquired a taste for Indian sandalwood, Persian  saffron and pistachios, Egyptian glass and horses from Ferghana. Craftsmen and scientists  from Europe, were invited to China to  share their skills on ambitious projects. Buddhism, Christianity and Islam entered China through the silk route. 

The Muslim Empire was even more generous as  it did not aim to enrich Makkah or Medina, but to enrich the lands they settled in.  A unique borderless empire,  scholars, Sufis, scientists, administrators,  artists and craftsmen considered the entire dar-ul Islam as home. They generously shared their discoveries and transferred knowledge they had acquired to any seeker, Muslim or non-Muslim.  They preserved and built upon the philosophy and sciences of the Greeks and Indians, through  translations  and established  libraries. Indian numerals and the concept of zero, Chinese papermaking, navigational aids, medicine, sciences, international law,  urban planning, the concept of hospitals, structures of music and  musical instruments, architecture  and literature, and innumerable inventions,  inspired Europe to modernize.

Today travel and the exchange of knowledge and cultures is restricted by visas, copyright, or hefty university fees.  The internet is the closest instrument for the free universal right to knowledge but  is subtly managed and restricted by search engines. Marco Polo or Ibn Batutta would find this a strange world. 

Seekers of a better life take perilous journeys across mountains or seas only to face hostility.  The unrestricted dissemination of knowledge and goods is left to underground networks of havala, khepias, smugglers, code crackers, and hackers, who perhaps will one day be considered heroes.

Durriya Kazi
15 April 2019
.   

Comments

Popular posts from this blog

Decorated Trucks of Pakistan

International Institute for Asian Studies / Association for Asian Studies / Asia Committee, European Science Foundation First International Convention of Asia Scholars Leeuenhorst Conference Centre, Noordwijkerhout , Netherlands , 25-28 June, 1998 Panel: “ Shaking the Tree: New Approaches to Asian Art” / Session: Decorated Transport Decorated Trucks of Pakistan Durriya Kazi June 1998. Karachi Meaning is always in process, what has been called “a momentary stop in a continuing flow of interpretations of interpretations”. This paper pauses at some facts and some observations about decorated trucks of Pakistan , a subject that has elicited tantalisingly few studies. Pakistan is often presented geographically and thus historically as the corridor of land between the mountain passes that separated the near East from the plains of India . Less mentioned and more significant is its identity as the valley of the River Indus which has historically ...
What have we done to our youth? At this year’s Art and Design degree show at the University of Karachi I was taken aback by the darkness that lies within the sweet looking cheerful young men and women graduating this year. There is always a degree of emotional turmoil that is expressed through art. However, this year’s work shook me to the core and I asked myself, what have we done to our youth?       Despair, depression, suicidal thoughts, a childhood of abuse, night terrors, stray dogs, gender labels were transformed into beautiful artworks, but reflected a deep anxiety. Art is a natural vehicle for personal expression. How many of those hundred million or so young Pakistanis have similar anxieties that are never heard? Have we disempowered our youth? Youth the world over are struggling to be heard. Malala Yusufzai for education, Greta Thunberg and the Friday school strikes for climate, March for Our Lives for gun control.  At the ages of 17 and ...
  Patterns of Infinity If we probe deeper into any phenomena – astronomy, the cycle of life, mathematics, we arrive at the concept of infinity. It is the most abstract of abstractions, although mathematicians have tried to devise ways to measure and rationalize infinity. Trying to make sense of the infinite is a bit like trying to contain the uncontainable. Contemplating infinity inevitably led all civilizations and all religions to the concept of God.   The art of most religions express God as an image or a symbol, perhaps to make it more accessible to devotees, leaving it to the philosophers to come to terms with the nature of infinity. The exception is Islamic Art, which from its earliest expressions of Quranic calligraphy, to the architectural design   of mosques,   made infinity the cornerstone of its expression. While most art continued on a human centric pathway, culminating in the cult of the individual, Islamic art remained rooted to an interconnecte...