Art and the State Art is often seen as existing outside the state. In Europe this concept emerged with the Impressionist Movement of the 19 C which introduced the role of art for objective observation rather than a visual expression of the religious, social or political values of a society. In South Asia, art separated from the state when the post 1857 British occupiers of the Mughal court dismissed the many artists on the court payroll. All the rulers of India patronized the arts reaching a high point with the Mughals. Not only did they gather together the best artists, many acquired creative skills, from Akbar who was taught drawing as a child by the miniature painter Khwaja Abdus Samad, to Aurangzeb who learnt calligraphy from Syed Ali Tabrizi. Women of the palace, courtiers and rulers of smaller kingdoms took a keen interest in architecture, garden design, crafts and clothing design. The artist...