Skip to main content

Beyond Gender

Earlier this month, two extraordinary women were in the news: Fahmida Riaz, the poet, whose death was mourned by many and SP Suhai Aziz Talpur, whose triumph was celebrated by proud Pakistanis when she was at the forefront of the operation against the terrorists who attacked the Chinese Consulate in Karachi.

While many feminists may celebrate them, they represent a far more complex space that cannot be contained in a traditional gender discourse. 

Fahmida Riaz said in an interview with fellow poet, Amar Sindhu “I am not an exceptionally politically over-charged poet. Perhaps the only exception is that I am a woman.”  She has translated into Urdu Rumi’s Masnavi, the poetic works of Shah Latif Bhittai and Shaikh Ayaz, written about a range of political and social issues. However, her public perception is imprinted with her 1978 publication     Badan Dareeda in which she  shared her sensual awakening. She says she did not set out to shock but merely expressed as she always has  “the relationship between the life and works of a writer” 

Are we saying  SP Suhai Aziz’s leadership in the Chinese Consulate operation was  impressive because the threat was quickly  and efficiently contained,  or are we impressed that she achieved this despite being a woman? Her determined no nonsense manner reflects her belief that “jobs are not gender specific”.   Her male colleagues and superiors  put faith in her abilities rather than her gender.

History is filled with remarkable women that fought for the rights of women  - Emmeline Pankhurst’s suffragette movement,   Germaine Greer’s Obstacle Race,  and Betty Friedan’s  Feminine Mystique  to name a few.

However, there is also a large number of women whose motivation to achieve   their goals had little to do with their gender such as Rosa Parks who refused to give up her seat to a white man on a  city bus in USA, or Hypatia  in 4 C  Egypt and  Lubna   in 10 C Andalusia who were respected teachers of  mathematics and philosophy.

A substantial list of women inventors and scientists is finally surfacing : Lisa Meitner’s discovery of nuclear fission in the 19C , Marie Curie’s theory of radioactivity, Actress Hedy Lamarr’s work in wireless communications  which made the cellphone technology and digital communications of today possible. Stephanie Kwolek’s invention of Kevlar  used for bulletproof vests of  soldiers and law enforcement officers all over the world. Well into the 20C, it was still found necessary to create the Girl Geek movement which grew out of  the realization that there were many geeky nerdy women who were as obsessed about technology as men.

Women warriors have existed in almost every age and in every nation.  Some were formed into women’s armies such as the Greek era  Amazons of Anatolia, the Amazons of Libya,  the African Dahomey Amazons of the 17-19C  , the  500 strong Turkish women archers and the 500  Abyssinian swordswomen employed by Ghiyasuddin Khilji,   and the 18C women’s army of Rani Velu Nachiyar.
Individual female warriors – Boudicca, Joan of Arc, Razia Sultana, Rani of Jhansi, Chand Bibi, Khawlah bint al-Azwar, and Sayyida al Hurra of Morocco, or the Vietnamese Lady Triệu, fought at the command of or side by side with male warriors. Women also took part in wars as  individuals such as the female Samurai, Nakano Takeko,  or  Noor Inayat Khan, Indian spy for the British in WWII.

It is not men who are threatened by strong or independent women but “society”, which includes both men and women, that wants to preserve the continuity of past social structures.  As the systems scientist Peter Senge says   “People don't resist change. They resist being changed.” 
 
Durriya Kazi
November 26, 2018

Comments

Popular posts from this blog

https://theconversation.com/at-once-silent-and-eloquent-a-glimpse-of-pakistani-visual-poetry-70544 ‘At once silent and eloquent’: a glimpse of Pakistani visual poetry February 13, 2017 6.55pm AEDT Author Durriya Kazi Head of department Visual Studies, University of Karachi Disclosure statement Durriya Kazi does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond the academic appointment above. Partners View all partners Republish this article Republish our articles for free, online or in print, under Creative Commons licence. Rickshaw poetry in Pakistan.  D.Kazi ,  CC BY-NC-ND   Email   Twitter 33   Facebook 239   LinkedIn 1  Print Whose mischief created a world of beseechers? Each petitioner is seen wearing a garment of paper This line from the famous Mughul poet  Ghalib ...

Decorated Trucks of Pakistan

International Institute for Asian Studies / Association for Asian Studies / Asia Committee, European Science Foundation First International Convention of Asia Scholars Leeuenhorst Conference Centre, Noordwijkerhout , Netherlands , 25-28 June, 1998 Panel: “ Shaking the Tree: New Approaches to Asian Art” / Session: Decorated Transport Decorated Trucks of Pakistan Durriya Kazi June 1998. Karachi Meaning is always in process, what has been called “a momentary stop in a continuing flow of interpretations of interpretations”. This paper pauses at some facts and some observations about decorated trucks of Pakistan , a subject that has elicited tantalisingly few studies. Pakistan is often presented geographically and thus historically as the corridor of land between the mountain passes that separated the near East from the plains of India . Less mentioned and more significant is its identity as the valley of the River Indus which has historically ...
  From Lullaby to Elegy Our first encounter with music is the lullaby sung by a parent, a grandparent, an elder sibling or a nanny. Lullabies across the world and across the ages, regardless of the words, use the same singing tone, accompanied by a rocking motion, in time with the rhythm of the heartbeat and breathing. Perhaps the comforting effect of music throughout life is a memory of that first lullaby.   Brahms composed a lullaby that quickly became popular with mothers putting their babies to sleep. Lullabies follow a 6/8 time which many musicians used   like Woodie Guthrie’s ”Hobo’s Lullaby” and Bob Marley’s “No Woman No Cry”, Queen’s “We are the Champions”, Beatles’   “Norwegian Woods” and Simon and Garfunkel’s “Sound of Silence”.   While lullabies have a soothing melody, very often the lyrics are quite dark and even frightening. They become an outlet for the mother to voice her own fears and concerns.   In Iraqi musical tradition, lullabies are...